When Clark Kent Quit The Daily Planet

“I was taught to believe you could use words to change the course of rivers — that even the darkest secrets would fall under the harsh light of the sun…But facts have been replaced by opinions. Information has been replaced by entertainment. Reporters have become stenographers. I can’t be the only one who’s sick of what passes for the news today.”

Clark Kent, upon quitting The Daily Planet in 2012.  Everyone expected him to start a blog.

I wonder what the 2012 Kent would think of the current state of…things.

That’s Why He’s Superman: Clark Kent Goes Johnny Paycheck

“I was taught to believe you could use words to change the course of rivers — that even the darkest secrets would fall under the harsh light of the sun…But facts have been replaced by opinions. Information has been replaced by entertainment. Reporters have become stenographers. I can’t be the only one who’s sick of what passes for the news today.”

Clark Kent, quitting The Daily Planet in a well-earned huff.

Reporters have become stenographers.  Nice touch, Scott Lobdell.  That certainly seems true in the national setting of televised news cycles and corporate communications companies.  Thankfully, cities across the country (including Allentown) have great local reporting.  It’s a crying shame that so many of their papers are owned by huge conglomerates and that they’re struggling regardless.

As for the newly emancipated Kent,CNN shares this:  “I don’t think he’s going to be filling out an application anywhere,” Lobdell said. “He is more likely to start the next Huffington Post or the next Drudge Report than he is to go find someone else to get assignments or draw a paycheck from.”

Ah, Superman. You keep finding new ways to fight for us.

Great Book News from Some Writers I Don’t Know, Do Know, and Kind of Know

I don’t know Heather Poole, but my wife does.  Heather’s memoir, Cruising Altitude, came out today and she’s been all over radio and print.  Next week she’s on 20/20.  Congratulations, Heather!

Heather is a flight attendant, as was a writer I do know: the amazing Ann Hood.  Ann’s very successful novel The Knitting Circle is being made into a movie by HBO with Katherine Heigl starring and producing.

Clay Morgan, who writes a great blog called Educlaytion, just announced that he sold his first book to Abingdon Press.  Way to go, Clay!

Kyle Minor recently singed on with agent Katherine Fausset of Curtis Brown.  She’ll be representing and, I’m quite sure, selling, his new manuscript in short order. Kyle is a gracious dude and one the hardest-working writers I’ve seen on the web.  His talent and production are going to take him very far.

I’m very inspired but what all of these folks are doing.

DC Reboot: Superman #1, Batman #1, Flash #1

Flash (vol. 2) #1 (June 1987). Wally West hold...
Like Bach once said, "I remember you."

As you might recall, I really liked the social justice superheroics of Action Comics #1.  Last night, I finally got around to reading Superman #1, Batman #1, and The Flash #1 and wanted to share my thoughts.

Superman #1:  Very ambitious.  We have the struggles of new vs. old media, the problems with media conglomerates in general, Superman as guardian of the past, Clark Kent rejecting a sweet cable news deal because 1) he despises cable news and 2) millions of people would see his face every day, like, forever, a Perry White full of vim and vigor, saying “let’s show them the hard-hitting analysis that only print can deliver!”  A lot of things like that, which I eat. right. up.   The conflict between Supes and the actually “villain” of the arc wasn’t as interesting to me, but I do like the fact that the book serves as a one-shot while giving us the seeds of some classic arcs.  Clark loves Lois like Dobie Gillis loved Tuesday Weld.  And there’s even a young (much nicer) Warren Beatty type between them.

Unfortunately, the content of Clark’s exclusive story about Superman and the big incident, which we get in caption boxes, doesn’t feel like the front-page work of a great reporter.  I’m eager to give George Perez the BOD on this because 1) I’m a writer, and yeah, it’s freaking hard, and 2) he’s George Perez. Maybe Clark’s unpolished style is part of his cover?  There’s also a very strange crossover page from Stormwatch that makes Ben 10 look like Beowulf.

Overall, a good read with a lot of interesting things to say in the first half about history, time, urban renewal, economic decay.  I want to give it a 7 out of 10, but Action was so good, Superman feels more like a 6.5.  I’m conflicted.  I’ll go 7.  That seems high on a ten-point scale, but not as good when you think about it as a percentage and covert that to an an academic grade.  (This is why I blog).

7.

Batman #1:  The best of the bunch.    Bruce’s new contact lens tech is great, the Batcave looks great, and the internal monologue that stitches most of the story together is top-notch.  Bruce’s love for Gotham, and his investment in its future, could be a template for the philosophies of hope surrounding some very pressing real-world reclamation projects.  He exudes a strong ethos, suggesting that forward-thinking and risk-taking for the common good are moral virtues.  I’m not saying this was a civics lessons disguised as a comic book, but it was uplifting and hopeful.  Not something you tend to expect from a Bat-book.  And did you notice that I keep saying “Bruce”?  That’s an effect of good writing and successful character development in a matter of pages.   This still isn’t a book for kids, as a crime scene near the end (central to the hook for issue 2) reminds us.  If you’re looking for a Batman title for younger readers,  The Brave and The Bold is good  if you don’t mind mostly slap-stick violence.

8.6

Flash #1:  There’s a very special place in my heart for the Flash.  But my Flash is and always will be Wally West.  Jay Garrick is my second favorite.  That’s not a comment on my feelings about Baby Boomers in general…Wally is the Flash I grew up with, an imperfect hero struggling with all kinds of emotional issues and mentored by an icon from the Golden Age.  What’s not to love?  I totally get that Wally’s favorite Flash is his uncle, original mentor, and former partner, Barry Allen.  I totally understand the overwhelming sense of loss that pervades Wally’s Flashness, especially in the 90s, is what makes his character so compelling.  I also love that he’s a screw up.  I’m not 100 percent sure where he’ll shake out in the new DCU, but I hope there’s a prominent place for him.  I hope he’s not de-aged like all the Robins, but I suppose he has to be if Barry and Iris aren’t married yet.

Onto the Barry-centric book at hand.  Loved the splash page.  Captured the Silver Age feel that brought us Barry in the first place.  The story moved quickly (ha) and ended on a cliff-hanger that has me interested.  It felt like a younger read, something akin to those titles from DC’s early-90’s Impact line.  (The Fly was my favorite).  Since Impact was meant to introduce new, mostly younger readers to old characters at an accessible level and the reboot is meant to do the same, mission accomplished.   The Flash has always been one of the most kid-friendly of the major DC heroes (emotional issues that we adults love aside), and I think that will continue.

It was a fun read, which is the point of a Barry book.  I don’t like the new suit.  Too panel-y.

8

A good mix, but nothing touches Action.